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© The Kyoto Costume Institute, photo by Naoya Hatakeyama
This site is hosted on the web system of KCI’s corporate sponsor, WACOAL CORP.
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This site is hosted on the web system of KCI’s corporate sponsor, WACOAL CORP.
■MODERNISM OF DAIOSAKA
by Shinya HASHIZUME, Professor, Osaka Prefecture University
■SUBMITTED PAPERS FUNCTION OF CLOTHES (THE NATIONAL UNIFORM) TO SEE IN A LITERARY WORK:
"FUKUSONITSUITE (REGARDING CLOTHES)" ATTENTIVE READING by Katsuya MATSUMOTO, Associate Professor, Shinshu University
■LECTURE COLOR/UNCOLOR: KYOTO AND ANREALAGE’S CHALLENGE
by Kunihiko MORINAGA, Designer
■INTERVIEW POWER OF PRINT: CONNECTING PEOPLE, COMMUNITIES, ART, AND FASHION
Framu KITAGAWA, Art Director
WRITTEN CLOTHING: HOW DOES THE RESEARCH JOURNAL GET ATTRACTIVE? by Naoyuki KINOSHITA, Professor, University of Tokyo, Fumi TSUKAHARA, Professor, Waseda University, Hiroshi NARUMI, Professor, Kyoto Women’s University, and Hiroyuki HORIHATA, Designer
■NEW ACQUISITIONS
■FASHION MUSEUMS AROUND THE WORLD
■AFTER A FASHION EXHIBIT"80s 90s FACING BEAUTIES:ITALIAN FASHION AND
JAPANESE FASHION AT A GLANCE"
by Simona Segre REINACH, Professor, University OF Bologna
■JAPONISM IN FASHION IN LONDON, 1971-72: 1 DESIGNER, 3 PHOTOGRAPHERS, 3 MAGAZINES
by Helene Marie THIAN, Fashion Historian
■CREATIVITY SEEN IN WORK BY ROMEO GIGLI:PURPOSE OF THE KCI COLLECTION
by Rie NII, Curator, The Kyoto Costume Institute
■"POIRET'S CHALLENGE: A STUDY OF PATTERN AND TEXTILE OF HIS DRESS"
by Akiko FUKAI, Chief Curator, The Kyoto Costume Institute
■INFORMATION, NEW ACQUISITIONS
■FASHION MUSEUMS AROUND THE WORLD
■「"CLOTHING DISTRIBUTION IN EUROPE IN THE DAYS BEFORE READY-TO-WEAR"
by Seiichi KITAYAMA, Professor, Osaka Shoin Women's University
■"THE SECONDAHAND CLOTHING MARKET IN AFRICA AND ITS INFLUENCE ON LOCAL FASHIONS"
by Karen Tranberg HANSEN, Professor Emerita, Northwestern University
■INTERVIEW: WHO ARE MAKERS FOR 21ST-CENTURY FASHION?: ISSUES AND PRACTICES IN THE ON THE RENEWABILITY OF FASHION SYMPOSIUM
by Kao KANAMORI, Directer, Drifters International
by Kosuke NAGAI, Lawyer/Arts and Law
■“SYMBOL OF CROSS-DRESSING SEEN THROUGH THE POLICE ORDINANCE”
by Iho NIIMI, Assistant Curator, Kyoto Costume Institute
■"POIRET’S CHALLENGE: A STUDY OF PATTERN AND TEXTILE OF HIS DRESS”
by Akiko FUKAI, Chief Curator, Kyoto Costume Institute
■NEW ACQUISITIONS
■FASHION MUSEUMS AROUND THE WORLD
■KOKUMIN-FUKU, THE NATIONAL UNIFORM FOR THE UNIVERSAL BODY IN SPACEWITHOUT A PARTITION
by Masahito INOUE, Lecturer, Mukogawa Woman’s University
■REFORM DRESS IN THE COLLECTION OF THE EMEENTEMUSEUM DEN HAAG
by Madelief HOHÉ, Curator, Fashion and Costume Department of the Gemeentemuseum Den Haag
■THE BEGINNING OF JAPONISME IN ITALIAN FASHION
by Laura DIMITRIO, University of Bologna
■LECTURE: ARCHITECT, SOU FUJIMOTO, TAKING ABOUT THE FUTURE BEAUTY SHOW
by Sousuke FUJIMOTO, Sou Fujimoto Architects
■POIRET'S CHALLENGE: A STUDY OF PATTERN AND TEXTILES IN HIS DRESSES
by Akiko FUKAI, Chief Curator, Kyoto Costume Institute
■RESEARCH NOTES: A COMPARISON OF TWO DRESSING GOWNS EXPORTED FROM JAPAN IN EARLY MAIJI PERIOD by Tamami SUOH, Curator, Kyoto Costume Institute
■NEW ACQUISITIONS
■FASHION MUSEUMS AROUND THE WORLD